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〕 |rev2 = Robert Christgau |rev2Score = |rev3 = ''NME'' |rev3score = 〔Columnist. "Peggy Suicide". ''NME''. March 1991. pg. 135, cited October 7, 2012〕 |rev4 = ''Q'' |rev4score = 〔Columnist. "Peggy Suicide". ''Q''. October 1994. pg. 135, cited October 7, 2012〕 |rev5 = ''Rolling Stone'' |rev5score = 〔Columnist. "Peggy Suicide". ''Rolling Stone''. May 1991, cited October 7, 2012〕 |rev6 = ''Uncut'' |rev6score = 〔Columnist. "Peggy Suicide". ''Uncut'', cited October 7, 2012〕 }} ''Peggy Suicide'' is the seventh album by Julian Cope. It is generally seen as the beginning of Cope's trademark sound and approach, and as a turning-point for Cope as a maturing artist. == Background == ''Peggy Suicide'' was recorded and released following two lo-fi Cope albums - ''Skellington'' and ''Droolian'' - which had not gained official distribution and caused friction with Cope's label Island Records. Cope's previous Island release, ''My Nation Underground'', had not satisfied him, and he had rejected its heavily produced, pop-friendly sound in favour of a one-take, more politicised approach as expounded by former White Panther John Sinclair in his book ''Guitar Army''. Cope was later to refer to this book as "my holy book", and it set the method for all of his subsequent recording. Several familiar Cope collaborators were on the record - multi-instrumentalist Donald Ross Skinner, drummer/percussionist Rooster Cosby and keyboard player/onetime Cope producer Ron Fair. There were also contributions by new associates in the shape of former Smiths drummer Mike Joyce and future Spiritualized lead guitarist Michael Watts (better known as Mike Mooney or "Moon-eye"). On the album’s songs, Cope laid bare many of his personal convictions including his hatred of organized religion and his increasing public interest in women's rights, the occult, alternative spirituality (including paganism and Goddess worship), animal rights, and ecology.〔("The S.P.A.C.E.R.O.C.K.E.R.’s Guide to Julian Cope" ), ''Aural Innovations'' magazine #23, April 2003〕 He had referred in passing to these beliefs in previous songs, but never so directly. The album was written in the aftermath of the British anti-poll tax riots in 1990. Cope had taken part in the protest, and several songs on the album refer directly to its events. Cope's forthright new political stance was reflected in the song ''Leperskin'', which refers to the contemporary British prime minister Margaret Thatcher (who resigned between the recording of ''Peggy Suicide'' and its release) as an "apostolic hag". For one particular track, the anti-police tirade "Soldier Blue", Cope sampled Lenny Bruce's live album ''The Berkeley Concert'' and mixed in samples of the Poll Tax Riot. When released in 1991, the album featured extensive sleevenotes in which Cope explained the meaning of each song and stated that the entire album was a meditation on humanity's relationship to Mother Earth. Many songs were given very idiosyncratic interpretations, such as Cope's account of "You" which asserts that the Conscious Mind "acts like a cross between Tony Wilson and Bill Drummond but looks a lot like Lew Grade. The Unconscious mind...looks like Iggy Pop playing Syd Barrett."〔Julian Cope, Peggy Suicide, 1992〕 "Peggy Suicide" generated two singles - the calypso-styled "Beautiful Love" (a minor hit) and "East Easy Rider". Another track, "Soldier Blue", was re-mixed by The Disposable Heroes of Hiphoprisy's Michael Franti, who also provided a rap for the new mix. However, Island Records refused to release the song as a single due to it being considered too overtly political. The album was heralded by critics as Cope’s best work thus far, and has subsequently been considered as an artistic rebirth for Cope. In 2009, a deluxe edition was released with a second CD of bonus tracks. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Peggy Suicide」の詳細全文を読む スポンサード リンク
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